COLLECTION: The Digital Age: Arts Content & Digital Engagement in the Online World
SUBCOLLECTION 1: Audience Engagement
a. “Digital Hybridity,” Centre for Cultural Value, Creative Industries Policy and Evidence Centre & The Audience Agency
b. “In Real Life: Mapping Digital Cultural Engagement in the First Decades of the 21st Century,” Australia Council for the Arts
c. “Fact Sheet: Digital Engagement,” Tandi Palmer Williams
d. “Digital Audience Survey,” The Audience Agency
e. “Paths to Participation: Understanding How Art Forms and Activities Intersect,” National Endowment for the Arts
f. “Digital Engagement: From the COVID-19 Participation Monitor,” The Audience Agency
g. “Culture is Digital,” UK Department for Culture Media and Sport
h. “In Real Life: Mapping Digital Cultural Engagement in the First Decades of the 21st Century,” Australia Council for the Arts
i. “From Arts Marketing to Audience Enrichment: How Digital Engagement can Deepen and Democratize Artistic Exchange with Audiences,” Ben Walmsley
j. “Consuming Digital Arts,” Synovate
k.”Engaging at the Event,” InstantEncore
SUBCOLLECTION 2: Artists & Content Creation
a. “Tech as Art: Supporting Artists Who Use Technology as a Creative Medium,” National Endowment for the Arts
b. “Recoding the Master’s Tools: Artists Remake Systems of Oppression and Extraction in Technology,” Vanessa Chang
c. “How Artists Can Bridge the Digital Divide and Reimagine Humanity,” Agnes Chavez
d. “Using Augmented Reality In Classical Music,” Katelyn Clement
e. “How VR And AR Are Changing The World Of Immersive Theater,” Amelia Stevens
f. “The ‘Guggentube’ Phenomenon: Breaking the Boundaries of a ‘Digital Museum’ Space,” Natalia Grincheva
g. “Digital Strategies-To Stream or Not To Stream,” Joe Kluger
h. “Live Streaming and the Role of Music Artist Empowerment in the Digital Era,” Hanna Kahlert
i.”Curating the Digital,” Dorothee Richter and Paul Stewart
j.”From Live to Digital: Understanding the Impact of Digital Developments in Theatre on Audiences, Production and Distribution,” AEA Consulting, Brent Karpf Reidy, Becky Schutt, Deborah Abramson, & Antoni Durski
k.”Participation, Art and Digital Culture,” Kris Rutten
l. “Livestream Platform Guide,” Capacity Interactive
m.”Canvas YouTube Playbook,” Brave Bison
n.”Beyond Live: Digital Innovation in the Performing Arts,” Hasan Bakhshi, Juan Mateos-Garcia, and David Throsby
o.”Understanding the Impact of Event Cinema: An Evidence Review,” Fiona Tuck and Mitra Abrahams
SUBCOLLECTION 3: Evolving Arts Organizations
a.”The Impact of Virtual Programs on Revenue Generation for Cultural Organizations,” Cusuem
b. “Space, Time, Sustainability, Community: Giving Digital Artists What They Need,” Stephanie Pereira
c. “Funder Perspective: Broadening Support for Arts and Technology,” Eleanor Savage
d.”Researching Online Museums: Digital Methods to Study Virtual Visitors,” Natalia Grincheva
e. “Digital Culture 2014: How arts and cultural organisations in England use technology,” Nesta and MTM London
g. “Digital Culture: How the Digital R&D Fund for the Arts impacted the arts and cultural sector, MTM London
h.”Making Digital Work: Digital toolkit for arts and culture,” Digital R&D Fund for the Arts
i.”Like, Link, Share: How cultural institutions are embracing digital technology,” Sarah Lutman
j.”The Changing Nature of Museology in the Digital Age: Case studies of situated technology praxis in U.S. art museums,” Susana Smith Bautista
k.”Digital Complements or Substitutes? A quasi-field experiment from the Royal National Theatre,” Hasan Bakhshi and David Throsby
l.”New Museum Pioneering: A New Age Of Art Online,” Jennifer Houdrouge
m.”The End of the Beginning: Normativity in the Postdigital Museum,” Ross Parry